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Rudolf Sühnel zum 90. Geburtstag. Liber Amicorum. 10. März 1997. Privatdruck hektografiert., 1997. Unpaginiert [198 S.], Abb., 3 Beilagen. 30*21 cm. 
Beilagen: Persönlich unterschriebener Brief von Horst Meller an Eberhard Lämmert vom 10.04.1997 -- Frank Schirrmacher: Captain der Arche. Doppelter Gelehrter: Der Anglist Rudolf Sühnel wird neunzig, FAZ 10. März 1997, Nr. 58, S. 10 -- Heide Seele: Imponierende geistige Werte. Rudolf Sühnel wird 90 - Bibliophil ausgestattet erscheint sein Buch über den Wörlitzer Park, Rhein-Neckar-Zeitung 8./9. März 1997. - Vorderer Umschlag vom Block gelöst, sonst ein gutes und sehr sauberes Exemplar. - CONTENTA IN VOLUMINE -- POEMATA ANTEHAC NON SIC EDITA, VEL EX LINGUIS DIVERSIS TRANSLATA. Newe selbs gemachte Poemata / und Versiones aus den Schrifften der Alten / Itzt für den Tag / und allso für den Morgen. Erstes und fürnemstes Capitul -- OPUSCULA FESTIVA VARII SERMONIS. STILI, ARGUMENTI, IN HONOREM HUIUS ALBI POSSESSORIS. Anderes Capitul. Kurtz Geschichten / Narrationes / und Versiones aus den Gedancken-Schätzen der Alten / R. S. in das Stammbuch -- EPISTOLAE CONGRATULATORIAE. VADE, ET MANE MECUM AMICORUM PRAENOBILISSIMI VIRI RODOLPHI SUNELII. Drittes und allerlängstes Capitul. Congratulirende Epistuln / Danckbarlich Hertzens Ergiessungen / und Aenigmatisch flüsternde Vermerckungen -- EPIGRAMMATA VEL CARMINA PANEGYRICA IN DIEM NATALEM DE NOVO MEMORANDUM RODOLPHI SUNELII EXCELLENTISSIMI VIRI. Lob und Sinn-Sprüch und Preisgesäng / auf den lubel-Greis R. S. und auf den zehenten Tag seines lubel-Monds Martis. Viertes Capitul -- PICTA POESIS VEL PICTURAE LOQUENTES. UT PICTURA POESIS ERIT. Ein hoch bedencklich Zwischen-Stück. Gemahlte Poesia/ und poetisch Gemählde -- QUAE EX LIBRIS HAURIRI POTEST. Illustrer Freundinnen und Freunde Lesefrüchte / und LieblingsmPoemata. Sechstes Capitul -- MISCELLANEA CUM PROLUSIONIBUS ACADEMICIS NUNC PRIMUM EDITIS QUIBUS ADDITA SUNT PARERGA PHILOLOGIAE OTIOSAE SEU DISSERTATIONES APOSCHOLASMATICAE. Etlicher Collegarum Geistes Plitz / Zünfftige Miscellen / und Gelahrte Kunst-Griff /und Müßig Zeytungen kurtzweyliger Philologiae. Siebtes und hochgelahrtes Capitul -- AENIGMATOGRAPHIA SUB LUDICRA SPECIE SIVE ANIMI RELAXANDI CAUSA EXCOGITATA. Anderes Zwischen-Stück. Zeyt verkürtzend lubel- Logodaidalia/ und curiöse Aenigmata für Chreutz-Schüler und Andre -- AD ILLUSTRISSIMI VIRI RODOLPHI SUNELII BIOGRAPHIAM PARALIPOMENA ATQUE ANECDOTA MORALIA. Lehr-reich Erzehlungen chronick-wirdiger Begebnusse / und wol verbürgter Anecdota/ aus der Lebens-Geschicht / vorgemeldten Doctoris Rodolphi Sunelii. Neuntes Capitul -- NUGAE VENALES ATQUE QUAEDAM FACILIORIS MUSAE CARMINA SIVE RIDICULARIA ATRAE BILI VEL MELANCHOLIAE EXPELLENDA APTA. Gemüths-erheiternd Zeyt Vertreib / Satyrisch Liedlein / und Ergetzlich Schertz Gesäng. Allerletztes Capitul.
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The new international Webster's student dictionary International encyclopedic edition Rev. version of the Webster ill. contemporary dictionary Köln : Bellavista, 2004. XXIV, 863 S. Broschiert. ISBN:  9783898939805   
Neuwertig. - Das renommierte Standardwerk für Schule und Universität -- Über 85.000 Einträge mit 1000 Illustrationen, Karten, Tabellen und Schaubildern -- Viele anschauliche Zitate und etymologische Erläuterungen -- Einfach verständliche Anleitungen zur Aussprache -- Hunderte von Synonymen und Hinweisen zum Sprachgebrauch -- Zahlreiche Fachbegriffe aus Gebieten wie Musik, Psychologie, Ökologie, Wirtschaft, Mathematik und vielen mehr. ISBN 9783898939805
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The new international Webster's student dictionary International encyclopedic edition Rev. version of the Webster ill. contemporary dictionary Köln : Bellavista, 2004. XXIV, 863 S. Broschiert. ISBN:  9783898939805   
Neuwertig. - Das renommierte Standardwerk für Schule und Universität -- Über 85.000 Einträge mit 1000 Illustrationen, Karten, Tabellen und Schaubildern -- Viele anschauliche Zitate und etymologische Erläuterungen -- Einfach verständliche Anleitungen zur Aussprache -- Hunderte von Synonymen und Hinweisen zum Sprachgebrauch -- Zahlreiche Fachbegriffe aus Gebieten wie Musik, Psychologie, Ökologie, Wirtschaft, Mathematik und vielen mehr. ISBN 3898939804
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Aarsleff, Hans: The Study of Language in England, 1780-1860. Princeton: Princeton University Press, 1967. V, 279 S. Originalleinen. 
Einband leicht berieben. Besutzstempel Peter Krumme. - Eighteenth-Century Doctrines Concerning Language and Mind -- The Diversions of Purley -- Horne Tooke's Influence and Reputation -- Sir William Jones and the New Philology -- The New Philology in England to 1842 -- English Philology to 1860: The Philological Society of London and the Project for a New English Dictionary.
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Amis, Kingsley: The King's English: A Guide to Modern Usage. New York: St. Martin's Press., 1998. XIII, 270 S. / p. Originalpappband mit Originalschutzumschlag / Hardcover with dustjacket. ISBN:  9780312186012   
Sehr guter Zustand / very good condition - Throughout his notable career as a novelist, poet, and literary critic, Kingsley Amis was often concerned - the less understanding might say obsessed - with the use and abuse of English. -- Do we know what the words we employ really mean? Do we have the right to use them if we don?t? Should an ?exciting? new program be allowed to ?hit? your television screen? Is ?disinterest? a word, or is it ignorance? And just when is one allowed to begin a sentence with ?and?? The enemies of fine prose may dismiss such issues as tiresome and pedantic, but Kingsley Amis, like all great novelists, depended upon these very questions to separate the truth from the lie, both in literature and in life. -- A Parthian shot from one of the most important figures in postwar British fiction, The King?s English is the late Kingsley Amis?s last word on the state of the language. More frolicsome than Fowler?s Modem Usage, lighter than the Oxford English Dictionary, and replete with the strong opinions and acerbic wit that have made Amis so popular - and so controversial - this book is essential for anyone who cares about the way English is spoken and written. ISBN 9780312186012
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Anderson, George K: The Literature of the Anglo-Saxons. Oxford University Press., 1997. 431 S. Originalpappband mit Originalschutzumschlag / Hardcover with dustjacket. ISBN:  9780196286402   
Fresh and clean hardcover copy in good condition. Frisches und sauberes Hardcover-Exemplar in gutem Zustand. Contents -- PREFACE -- I. THE ANGLO-SAXONS -- Invaders of Britain -- The Roman Occupation of Britain -- The Anglo-Saxon Conquest -- Salient Characteristics of the Early -- Anglo-Saxon Society in England -- From Hengest and Horsa to -- William the Conqueror Notes to Chapter I -- II. A FOREWORD TO THE LITERATURE OF THE ANGLO-SAXONS -- "Anglo-Saxon" or "Old English"? -- Some Axioms of Old English Literature -- A Note on Anglo-Saxon Poetic Style Notes to Chapter II -- III. THE OLD ENGLISH HEROIC EPIC POEMS -- The Probable Genesis of the Epic -- Widsith -- Beowulf -- Other Surviving Old English Epic Pieces Notes to Chapter III -- IV. THE OLD ENGLISH CHRISTIAN EPIC -- The Christianization of Anglo-Saxon England -- General Notes on the Christian Epic -- The Caedmonian Cycle -- Cynewulf and the Signed Poems -- Miscellaneous Caedmonian and -- Cynewulfian Poems Notes to Chapter IV -- MISCELLANEOUS OLD ENGLISH POETRY -- The Elegiac Poems -- Personal Lyrics -- Religious Lyrics -- Didactic Poems of Lyric Nature -- Poems on Individual Matters -- Minor Historical Poems -- Pagan Relics in Anglo-Saxon Verse -- Minor Didactic Poetry Notes to Chapter V -- A NOTE ON OLD ENGLISH LITERATURE AND THE DRAMA -- Notes to Chapter VI -- ANGLO-LATIN LITERATURE IN THE OLD ENGLISH PERIOD -- Gildas and Nennius -- Aldhelm and His Group -- Bede -- Alcuin and Others -- Asser -- Minor Latin Works of the Period Notes to Chapter VII -- THE WORK OF KING ALFRED -- General Observations -- The Alfredian Writings -- Works Written Within Alfred's Sphere Notes to Chapter VIII -- AELFRIC AND HIS WORKS -- The Identity of Aelfric -- Aelfric's Writings -- Aelfric's Circle and His Minor Works Notes to Chapter IX -- WULFSTAN'S WORKS AND OTHER -- HOMILETIC PROSE -- Wulfstan -- The Blickling and Vercelli Homilies -- Miscellaneous Homiletic Material -- Biblical Translations -- Christian Legend and Precept Notes to Chapter X -- SECULAR DIDACTIC WRITING IN OLD ENGLISH PROSE -- Notes to Chapter XI -- PROSE FICTION OF THE OLD ENGLISH PERIOD -- Notes to Chapter XII -- SCIENTIFIC WRITING IN THE OLD ENGLISH PERIOD -- Notes to Chapter XIII -- RETROSPECT -- Notes to Chapter XIV -- MAPS -- Roman Britain facing page -- England in the Age of Alfred the Great The Heptarchy -- England after the Danish Conquest. ISBN 9780196286402
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Anderson, George K: The Literature of the Anglo-Saxons. Oxford University Press., 1997. IX, 431 S. / p. Originalpappband mit Originalschutzumschlag / Hardcover with dustjacket. ISBN:  9780196286402   
Sehr guter Zustand / very good condition - Contents -- PREFACE -- I. THE ANGLO-SAXONS -- Invaders of Britain -- The Roman Occupation of Britain -- The Anglo-Saxon Conquest -- Salient Characteristics of the Early -- Anglo-Saxon Society in England -- From Hengest and Horsa to -- William the Conqueror Notes to Chapter I -- II. A FOREWORD TO THE LITERATURE OF THE ANGLO-SAXONS -- "Anglo-Saxon" or "Old English"? -- Some Axioms of Old English Literature -- A Note on Anglo-Saxon Poetic Style Notes to Chapter II -- III. THE OLD ENGLISH HEROIC EPIC POEMS -- The Probable Genesis of the Epic -- Widsith -- Beowulf -- Other Surviving Old English Epic Pieces Notes to Chapter III -- IV. THE OLD ENGLISH CHRISTIAN EPIC -- The Christianization of Anglo-Saxon England -- General Notes on the Christian Epic -- The Caedmonian Cycle -- Cynewulf and the Signed Poems -- Miscellaneous Caedmonian and -- Cynewulfian Poems Notes to Chapter IV -- MISCELLANEOUS OLD ENGLISH POETRY -- The Elegiac Poems -- Personal Lyrics -- Religious Lyrics -- Didactic Poems of Lyric Nature -- Poems on Individual Matters -- Minor Historical Poems -- Pagan Relics in Anglo-Saxon Verse -- Minor Didactic Poetry Notes to Chapter V -- A NOTE ON OLD ENGLISH LITERATURE AND THE DRAMA -- Notes to Chapter VI -- ANGLO-LATIN LITERATURE IN THE OLD ENGLISH PERIOD -- Gildas and Nennius -- Aldhelm and His Group -- Bede -- Alcuin and Others -- Asser -- Minor Latin Works of the Period Notes to Chapter VII -- THE WORK OF KING ALFRED -- General Observations -- The Alfredian Writings -- Works Written Within Alfred's Sphere Notes to Chapter VIII -- AELFRIC AND HIS WORKS -- The Identity of Aelfric -- Aelfric's Writings -- Aelfric's Circle and His Minor Works Notes to Chapter IX -- WULFSTAN'S WORKS AND OTHER -- HOMILETIC PROSE -- Wulfstan -- The Blickling and Vercelli Homilies -- Miscellaneous Homiletic Material -- Biblical Translations -- Christian Legend and Precept Notes to Chapter X -- SECULAR DIDACTIC WRITING IN OLD ENGLISH PROSE -- Notes to Chapter XI -- PROSE FICTION OF THE OLD ENGLISH PERIOD -- Notes to Chapter XII -- SCIENTIFIC WRITING IN THE OLD ENGLISH PERIOD -- Notes to Chapter XIII -- RETROSPECT -- Notes to Chapter XIV -- MAPS -- Roman Britain facing page -- England in the Age of Alfred the Great The Heptarchy -- England after the Danish Conquest. ISBN 9780196286402
Bestellnummer: 1235412 - Aus Liste: Anglistik 
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Atkins, J. W. H: English Literary Criticism: The Medieval Phase. Gloucester: Peter Smith, 1961. IX, 211 p. Hardcover. 
Einband angeschmutzt und mit Kleberesten, Kopfschnitt leicht stockfleckig, aber innen sauber und ohne Anstreichungen / Binding soiled and with adhesive residue, top edge slightly foxed, but inside clean and without marks. - CONTENTS CHAPTER I Introduction The 'uncritical' Middle Ages: hindrances to literary criticism: considera- tions which made literary discussions possible: theorising by both Latin and vernacular writers: its sporadic, informal character: stages of the critical development: its main features. CHAPTER II The Medieval Inheritance Political and cultural changes in Western Europe during the Imperial age and after: Latin culture established: its imperfect tradition: post-classical doctrine: two-fold attitude of the Church towards literature: new literary ideals and forms: Biblical and Christian literature: allegory: post-classical rhetoric: its limitations and defects: influence of the New Sophistic: post- classical grammarians: conceptions of poetry: the 'kinds', definitions of tragedy, comedy, the fable: judgments on Virgil. CHAPTER III Early Grammarians: Bede and Alcuin Latin culture in Roman Britain: Anglo-Saxon poetic: seventh-century revival of learning: grammatical studies: Aldhelm: Bede, On the Metrical Art: recognition of rhythmical verse: Figures and Tropes in Holy Writ: appreciation of Biblical literature: the 'kinds': allegorical interpretation: limitations of his work: his positive achievement: Alcuin: his educational aims: On Orthography, On Grammar, On Rhetoric: his summary of pre-Ciceronian theory: defects of his treatment: an intellectual influence. CHAPTER IV The Dawn of Humanism: John of Salisbury Decline of learning (ninth to eleventh centuries): developments in France and Germany: Rabanus Maurus and Servatus Lupus: growing appreciation of classical literature: copying of Latin texts: development of logical studies: twelfth-century awakening in England: John of Salisbury: his Policraticus and Metalogicon: his contribution to literary studies: plea for literature in a liberal education: exposition of the principles of good writing: attempts to inculcate the value of literature: pronouncements on classical literature: judgments on contemporary writers: comments on poetic theory: his value as a critic: the first English Humanist. CHAPTER V Medieval Poetics: Geoffrey of Vinsauf and John of Garland The twelfth-century Renascence: triumph of medieval Latin literature: occasional critical remarks: the new Portics: Geoffrey of Vinsaul's Poetria Nova: John of Garland's Portris: their main teaching: (i) plea for the study of art: (ii) means of enhancing literary effects: methods of opening and concluding a poem: devices of 'amplification', including descriptive passages, apostrophe postrophes, personification, etc.: methods of 'abbreviation': (iii) artifices of style: figures and tropes: (iv) earlier classical and post-classical theory: remarks on diction and style: the 'kinds': (v) ars rithmica and ars dictaminis value of these Poetics: inherent difficulties of theorising on poetry: debt to earlier rhetoricians and grammarians: influence of Horace and Rhetorica ad Herennium: defects of the Poetics: merits of Geoffrey's work: its historical importance. CHAPTER VI Check and Counter-check to Literary Studies: John of Garland, Robert Grosseteste, Roger Bacon, and Richard of Bury Check to literary studies: scientific and theological interests: new educational tendencies: protests on behalf of literary studies: John of Garland, Morale Scholarium: Grosseteste: his critical approach to ancient writings: Roger Bacon: his main interests: efforts on behalf of literary studies: commendation of ancient literature: plea for textual criticism: views on translation: need for the study of grammar: linguistic and literary theories: views on poetry: literary judgments: estimate of his critical contribution: Richard of Bury: his Philobiblon: earlier Humanistic teaching: his defence of poetry: tribute to literature in general: value of his work. CHAPTER VII Native Literary Problems: The Owl and the Nightingale, Wiclif, Chaucer New critical interests: native problem already discussed in The Owl and the Nightingale: didactic v. love-poetry: defence of love-poetry: Treatise on Miracle Plays: arguments for and against: moralistic attack: Wiclif, Sermones: censure of artificial prose: plea for simple utterance: Chaucer: his critical temper: Sir Thopas: satire on degenerate romances: another and less probable inter- pretation: its parody form: its critical value: further occasional remarks on poetic artifice and style: plea for realistic expression: the function of poetry: his own artistic principles: letter-writing: his conception of tragedy: his critical interest. CHAPTER VIII Native Literary Problems (continued): Caxton, Hawes, Skelton page 163 Fresh native problems: revival of rhetorical interests: Court of Sapience, etc.: efforts to adapt the vernacular for poetic purposes: 'aureate' language: comments on the new diction by Caxton, Hawes and Skelton: views on the nature of poetry: Boccaccio's De Genealogia Deorum: his influence on English theorists: Hawes's Pastime of Pleasure: Skelton's Replycacion: conception of tragedy: attempts at literary judgment: their limited range and standards: conventional judgments on Gower, Chaucer and Lydgate: some appreciation of Chaucer's merits. CHAPTER IX Conclusion The critical development: (I) its achievement: (a) assimilation of post- classical and patristic theory: conceptions of the nature of poetry: medieval poetic: theories of tragedy and comedy: fragments of classical theory: (b) native developments: protests against restrictive theories of both poetry and prose: additions to critical theory: literary judgments, their standards, methods, and range: (II) its value: elementary and tentative: its positive contribution: its historical interest: the beginnings of a critical tradition: its embodiment of Hellenistic theory: (III) its significance in relation to medieval literary conditions: (IV) its influence on Elizabethan criticism and Elizabethan literature. APPENDIX Summary of Medieval Poetic (Geoffrey of Vinsauf) Index.
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Atkins, J. W. H: English Literary Criticism: The Renascence. Reprinted. New York: Barnes & Noble, London: Methuen, 1968. XI, 371 p. Hardcover. 
Einband mit minimalen Gebrauchsspuren, innen sauber und ohne Anstreichungen / Binding with minimal signs of handling, clean inside and without markings. - CONTENTS CHAPTER I: INTRODUCTION The scope of the present inquiry: earlier treatments of the subject: contemporary criticism determined mainly by national needs: prevailing literary conditions: debt to 15th-Century Italian Humanists: Nature or reason the main critical instrument: the critical development outlined CHAPTER II : THE BREAK WITH MEDIEVALISM: ITALIAN HUMANISTS Classical literature employed in the service of education in 15th-Century Italy: Greek and Latin MSS. recovered: fresh light on antiquity: rationalistic spirit engendered : textual and historical criticism begun: works of Vergerius, Bruni, Valla, and others: debt to recovered classics: literary theorizing: value of literature and nature of literary art: study of oratory and prose style: Ciceronianism and its challenge by Politian: poetry, its nature and art: medieval and post-classical doctrines: esoteric and allegorical theories : literary appreciation: judicial standards: historical and allegorical methods of interpretation: individual writers appreciated: Virgil-worship: main achievement of the period CHAPTER III : HUMANISM IN ENGLAND: COLET, ERASMUS, VIVES English medieval criticism and 15th-Century Humanism : the changed outlook of Colet, Erasmus, and Vives: their critical works: literary theorizing: oratory and style : revival of classical rhetoric : Ciceronianism: poetic theory : Erasmus's limited sympathies : Vives's Neo-Platonic and Plutarchian ideas : his defence of poetry: remarks on history and philosophy: attitude towards the vernaculars : judicial criticism: limited appreciation of ancient classics : Virgil-worship : historical treatment of Biblical literature by Colet and Erasmus: strictures on medieval romance and love-poetry: on current verse and pulpit oratory: new critical standards and methods CHAPTER IV: THE RHETORIC TRADITION: JEWEL, WILSON, ASCHAM New rhetorical studies after 1500: school-manuals of Cox, Sherry, &c.: Elyot's advocacy and Jewel's challenge Wilson's Arte of Rhetorique: its plan and treatment: nature and value of eloquence': main principles of the art stylistic abuses condemned: remarks on wit and humour: on character-drawing on poetry, rhyme and romances: value of the Arte: reminiscences in Shakespeare's plays: Ascham's Scholemaster: classical rhetorical principles: further practical advice: theory of 'imitation': views on literature: the 'kinds' distinguished by differences of style: remarks on poetry, romances and rhyme: the new versi- fying' advocated judgments on Greek tragedy and Chaucer: Cheke's appreciation of Sallust recalled: contributions by other writers: the vernacular discussed: Tyndale, More, Elyot, Cheke views on poetry: Elyot's Apology CHAPTER V: THE DEFENCE OF POETRY: WILLIS, LODGE, SIDNEY Attempts to explain and justify poetry after 1570: Willis's Disputatio: reply to current objections: the value of poetry: its origin and nature: 'ideal imitation': rational explanation of poetic inspiration': Puritan opposition: Gosson's School of Abuse: Lodge's Defence: allegorical theory: post-classical and patristic arguments: Sidney's Apology: its plan: introductory stock arguments: nature of poetry: verse non-essential: 'poetic inspiration': an art of 'imitation': its element of ideal and universal truth: the 'kinds of poetry value of poetry in general: com- parison with history and philosophy; poetry more con- ducive to virtue and virtuous action: replies to current detractions: literary excellences of the defence: appended remarks on contemporary poetry: causes of the prevailing contempt: notes on the poetic art: Sidney's conception of tragedy and current defects: remarks on comedy and tragi-comedy: on lyrical poetry, diction, style, and the 'new versifying': judgments on contemporary, Biblical and medieval poetry: merits of Sidney's performance CHAPTER VI: THE ART OF POETRY: GASCOIGNE, HARVEY, 'E. K.', WEBBE, PUTTENHAM Gascoigne's Notes: practical injunctions on verse-forms and prosody: Harvey's Four Letters: 'new versifying': diffi- culties presented by unsettled orthography and native word- accent: Stanyhurst's system: Harvey's condemnation of figure-poems: 'E. K.'s' scholia: origin and nature of poetry: Spenser's treatment of pastoral poetry: defence of archaic diction: 'E. K.'s "romantic' doctrine: Webbe's Discourse: development of ancient poetry: catalogue of native poets: subject-matter and kinds of poetry: prosody and the 'new versifying': comments on English poets: value of the work: Puttenham's Arte: authorship, date, method and plan of the work: Book I. Poetry in general: its creative processes, subject-matter and function: classification of the 'kinds': current poetic forms and poets: Book II. Prosody: twofold conception of art: verse an essential element: rhyming verse advocated: its historical defence: effects of varying lines and stanza- forms: figure-poems commended: treatment of rhymes : 'new versifying': Book III. Ornament: diction and style: simplified treatment of figures: their elements of grace and surprise their effects of sound and sense: further comments on the poetic craft: merits of the work CHAPTER VII: CRITICAL DEVELOPMENTS: NASHE, HARING- TON, DANIEL, MERES, HALL Critical changes after 1590: Nashe's critical works: judg- ments on English writers: principles of prose style: theory of poetry: quarrel with Harvey: his significance in critical history: Harington's Apology: defence of poetry: current objections refuted: defence of Orlando Furioso and his translation: his culture and urbanity: Campion's Observa- tions: attack on rhyme: suggestions for a rhymeless verse: Daniel's Defence of Rhyme: rhyme natural, universal, of aesthetic and functional values: reply to Campion: further critical pronouncements: ancient authority challenged: medievalism vindicated: line of true progress indicated: the sonnet-form: further practical suggestions: Muso- philus: eulogy on literature: detractions refuted: its prophetic vision: Daniel as a critic: Meres, Palladis Tamia : references to Shakespeare: Plutarchian and other dicta: survey of contemporary writers: Hall Virgidemia.um: judgments on earlier poetry; protests against love-sonnets, voluptuous classical tales and new religious poetry: sporadic comments by Harvey, Marston and others CHAPTER VIII: DRAMATIC CRITICISM: EARLY TUDOR CRITICS, GOSSON, WHETSTONE, LYLY, SHAKESPEARE, JONSON Tardy appearance up to 1570: value of the drama recog- nized by Erasmus, Vives, and Elyot: notes on technique by More, Grimald, Christopherson, Bucer, and Ascham: Puritan opposition heralded by works of Bavande, Wager and Cornelius Agrippa: attacks on the stage by Northbrooke and others: anonymous Second and Third Blast: Gosson's Plays Confuted and its special interest: works by Stubbes, Rainolds and Gager: comments on the popular drama by Edwardes, Udall, Whetstone, and others: censures on extravagances by Nashe, Hall, Peele, Beaumont and Fletcher: judgments of the Return from Parnassus: the new dramatic art: Lyly's views on comedy: vague con- ception of tragedy: Nashe's idea of the historical play: tragi-comedy defined by Fletcher: further general principles expounded: need for appealing to the ordinary man: the dramatic aim, amusement: fanciful or 'romantic' themes justified: Shakespeare's contribution: views on contemporary literature: satire of stylistic affectations, vapid love. sonnets and mongrel dramatic forms; comments on acting and on the pastoral convention: remarks on the nature and art of poetry: the dramatic function and the need for imaginative co-operation by the audience: further hints on aesthetic matters: Jonson's dramatic theories: views on poetry in general: on earlier plays and prevailing defects: his theory of comedy: plea for greater realism and a satirical treatment of 'humours': his violation of classical laws defended his theory of tragedy less explicit: Senecan elements adapted to Elizabethan conditions: efforts to devise a new English drama: no slavish follower of classical tradition CHAPTER IX: LATER THEORIZING: BACON, CHAPMAN, BOLTON, JONSON, REYNOLDS, AND ALEXANDER 262 New scholarly and antiquarian interests of the early 17th Century: Bacon's contribution: his conception of the nature of poetry: the 'kinds': remarks on epic, dramatic and allegorical poetry: further comments: his rhetorical teaching: excessive concern with style condemned: value of 'eloquence': practical injunctions: remarks on literary and aesthetic matters: value of his theories: translators of the Authorized Version on the art of translation: Chap- man's Prefaces his theory of translation, defence of Homer and his conception of poetry: Bolton's Hypercritica: remarks on the art of historical writing: Peacham's com- pilation of earlier poetic theory: Sir John Beaumont's comments on the heroic couplet: Jonson's Conversations: views on verse-forms and the epigram: Reynolds's Mytho- mystes: poetry an esoteric art treating of the mysteries of Nature: debt to 15th-Century Neo-Platonism: its historical interest: Alexander's Anacrisis: thoughts on critical standards: the element of fiction in poetry CHAPTER X: LATER CRITICAL JUDGMENTS: BOLTON, PEACHAM, CAREW, DRAYTON, SUCKLING, JONSON Literary appreciations: limitations of Bolton's estimates: Peacham's conventional judgments of Latin and English poets: his debt to Scaliger and Puttenham: criticism in verse-form: memorial verses: Jonsonus Virbius: Jonson's verse To the memory of Shakespeare and Carew's Elegy on Donne: their acute appreciations: Drayton's Epistle: current estimates of English poets: his Nymphidia, a burlesque on the fairy way of writing: Suckling's Session of the Poets: a lampoon on contemporary littérateurs : Wither's Great Assizes: judgment on English journalists: Sheppard's Socratic Session: an attack on Scaliger: Jonson's Conversations and Discoveries: remarks on contemporary critics: defects and abuses of contemporary writings: judg- ments on Shakespeare, Bacon, Spenser, Donne, and others CHAPTER XI: THE LAST PHASE: JONSON AND MILTON Attempts to expound classical doctrine: Jonson's Dis- coveries: its character and significance: Jonson's attitude to the ancients: his three main themes: remarks on 'elo- quence' or style drawn mainly from Quintilian and Vives: need for suitable diction, ordered thought and a judicious use of figures: further practical advice: note on epistolary style based on Lipsius: remarks on poetry: its nature and the five requirements of a poet: principles not rules to be observed tribute to Aristotle : remarks on the drama drawn from Heinsius: importance and function of comedy element of laughter condemned: the dramatic plot: Aris- totle's main principles: Jonson's critical achievement as a whole: Milton's contribution; praise of literature: remarks on rhetoric: the nature and function of poetry: the making of a poet: remarks on rhyme, blank verse and the 'kinds' exposition of Greek tragedy: its main features including 'catharsis' CHAPTER XII: CONCLUSION Chief aims of English Renascence criticism: influence of 16th-Century Italian theorists: critical theories: the art of prose: the nature and art of poetry: the 'kinds?: dramatic theory: literary judgments and appreciations historical significance of this Renascence criticism : unwritten theories: general estimate of the critical achievement INDEX.
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Auden, Wystan H: Aus Shakespeares Welt. Zürich, München: Pendo, 2001. 213 S. Leinen. ISBN:  9783858424167   
Ein sehr gutes und sauberes Exemplar. - INHALT I. DIE SHAKESPEARE-STADT The Globe Der Hund des Prinzen Intermezzo: Das Wunschspiel Brüder und andere Intermezzo: Die Westsche Krankheit Der Joker im Haufen Nachschrift: Höllische Wissenschaften II. SHAKESPEARES SONETTE III. MUSIK BEI SHAKESPEARE Nachwort Glossar. ISBN 9783858424167
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Bähr, Dieter: Abriß der englischen Sprachgeschichte. UTB für Wissenschaft. München : Fink, 2001. 196 S. Broschiert. ISBN:  9783825222123   
kein Stempel, keine Einträge und auch nahezu keinerlei Gebrauchsspuren, frisches Exemplar Der erste Teil bietet einen Abriß der englischen Sprachgeschichte vom Indogermanischen über die Entstehung der englischen Sprache bis hin zur Periodisierung der englischen Sprachgeschichte. Im zweiten Teil wird die Entwicklung der Struktur des Spätmittelenglischen anhand einer ?prospektiven" Grammatik bis in die heutige Zeit dargestellt. Das betrifft die Dialekte, die Schriftsprache, die Phonologie, Morphologie, Syntax und den Wortschatz. Originalpreis 12,90 ¤. kaum sichtbare Gebrauchsspuren am Rücken, innen makellos. ISBN 3825222128
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Bähr, Dieter: Einführung ins Mittelenglische. UTB 361. 4. Aufl. München : Fink, 1997. 191 S. Broschiert. ISBN:  9783825203610   
Ein gutes und sauberes Exemplar. - Dieses bewährte UTB bietet allen Studierenden in Lehrveranstaltungen zum Mittelenglischen eine gut verständliche Einstiegslektüre. Auf knappem Raum ist alles versammelt, was man zum Erwerb des notwendigen Prüfungswissens braucht: Nach einem Überblick über die historische Entwicklung des Mittelenglischen folgt ein Lektürekurs zum Prolog der Canterbury Tales von Geoffrey Chaucer - ein Schlüsseltext, an dem Anglistikstudierende nicht vorbeikommen. Ein umfangreiches mittelenglisches Glossar vervollständigt den Band und ermöglicht die selbstständige Erarbeitung des Lernstoffs. ISBN 3825203611
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Bähr, Dieter: Standard English und seine geographischen Varianten. Uni-Taschenbücher ; 160. München : Fink, 1974. 333 S. : 8 Kt.; 19 cm; kart. ISBN:  9783770507894   
Gutes Ex. - Ein Lehr- und Handbuch der Anglistik, in dem die wesentlichsten Erscheinungsformen der englischen Sprache historisch begründet und strukturell dargestellt werden. Unter den wesentlichen geographischen Varianten nimmt das amerikanische Englisch natürlich die zentrale Stellung ein. Aber auch Englisch als Zweitsprache, sein Einfluß auf andere Sprachen und andere Probleme finden gebührende Beachtung. Karten, Sprachproben und Indices runden das Buch ab. (Verlagstext) // Länder: Schottland; Amerika; Irland; England und Wales; Australien und Neuseeland; Afrika. ISBN 9783770507894
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Baker, David, Fiona MacKenzie und Marcus Sedgewick: On track 1. Englisch für Gymnasien. Ausgabe Bayern. Prüfauflage für Lehrerinnen und Lehrer. Paderborn : Schöningh westermann, 2017. 240 S. Mit zahlr. auch farb. Abb. Originalhardcover. ISBN:  9783140408011   
On Track 1 starts with a short Welcome Workshop. Then there are four regular workshops. Every workshop has the same three parts. Parts one and two teach you new things, and part three helps you practice what you learned. The activities and exercises have numbers and letters. Sometimes they have symbols, too. ISBN 9783140408011
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Baltes-Ellermann, Sabine (Ed.): Jonathan Swifts allies. The woods halfpence controversy in Ireland, 1724-1725. Münsteraner Monographien zur englischen Literatur vol. 38. Second revised and augmented edition Frankfurt am Main ; Bern ; Wien : Peter Lang Edition, 2017. 538 S. Originalhardcover. ISBN:  9783631679104   
Ein gutes und sauberes Exemplar. - The patent for coining copper money granted by King George I to the English manufacturer William Wood aroused nationwide protest in Ireland. It led to the publication of Jonathan Swift?s «Drapier?s Letters», in which the Dean of St. Patrick?s Cathedral, Dublin, attacked both the patent and England?s Irish policy. But this is not the whole story. This annotated edition contains more than 100 pamphlets, declarations, poems, and songs that were published during the dispute. Most of the reproduced texts are extremely rare and have hitherto lain dormant in various libraries. They illustrate that the protest was in fact carried on by the Irish population at large, who regarded the coinage scheme as a severe intrusion into the nation?s circulating cash which threatened to ruin the country?s economy ISBN 9783631679104
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